Hi, friends.
I apologize for the spotty postage; I am pretty well occupied all day and when I get moments alone I’m usually spending some quality time with The Couch/various books.
My couch is an object of envy among other members of the residential staff. It is new and big and blue.
Tonight, the theatre students gave their first show: a series of mime sketches and exercises and (inexplicably) Filipino stick-fighting performed to obnoxiously loud Blue Man Group music (big ups to AV Eddie for figuring out sound). It was overall a really fascinating performance.
Those of you who know my personal history with mime will be chuckling right about now. Laugh it up, chumps. I was screaming inside during rehearsals. That shit is traumatic.

Personal experience (read: mentally crippling ordeals) aside, I do have some more general problems with mime. More specifically, I find teaching mime to young aspiring actors to be somewhat problematic. In mainstream contemporary theatre, most acting theory focuses on revealing and/or internalizing a character’s feelings as opposed to indicating them. For those of you who have trouble visualizing the distinction between the two, imagine any bad high school production you have attended. An actor who is playing a character in a situation that might provoke anger will think “AH, I’M ANGRY NOW” and the physical result is a lot of screaming and clenched fists.

Not only is the action that the actor chooses overdone (in his or her defense, a high school drama teacher is likely to push them towards overacting so it will read), it’s also not quite as interesting. In short, it’s one-dimensional. My main problem with mime is that while a lot of the theory we teach at the G-School focuses on breaking the INDICATION CURSE and encouraging actors to discover real moments on stage, the whole mime tradition centers on straight-up indicating. It’s counter-fucking-productive!
On the other hand, I do acknowledge that mime is a) fun to watch, b) helpful for actors who have trouble really getting into their bodies, and c) valuable as a performance style in and of itself.
I suppose, in the end, I’m just happy it’s over and I wasn’t forced to don one of those creepy neutral masks again.

Hooray!
Frequently Asked Stupid Questions
“The Honor Code is just like guidelines, right?”
“May I go to the bathroom?”
“Do you get paid for this?”




